ARCHIVE_SOLO WORKS_2017-2022
CANTOS A OSHUN: IN THE LONGING FOR THE EROTIC (2021)
Ritualistic activations and queering the erotic
DYSPHORIC // DIASPORIC SEAS (2021)
The performance piece explores the intersections between coloniality, migration, displacement and lost historical linkages in terms of language and body remembrance which Toro attempts to suture back a sense of defragmentation and repair through poetic evocations that propose new imagined futures.
MEDUSA IS GAIA (2019)
A universe of materialized metaphors resulting in a series of re-significations the figure of Greek Mythology - the Medusa.
BODY Q CORPOREAL(2018)
A manifesto evoking a process of decommodification within the body for claiming (self)agency, or rather, a queering of the body by reclaiming our own gaze.
BUREAUCRATIC EROS // ALAS! POETIC EROS (2019)
An attempt to bureaucratize a practice of wig wearing, ultimately as the sole purpose for existence in a new futuristic society. Interactive live performance piece.
LUTOS DE AMOR: LINEAR NOR LIFE (2018)
A performative space of mourning. Through different practices based on western symbolism of mourning such as using black for clothing, plus surfaces and themes, Butoh ash-walking and movement, mourning gets activated at corporeal level in a quasi-directed form.
TRIBUTE TO NEZAKET EKICI's "Emotion in motion (2001)": Externalizing (self-) Love (2019) at PERFORMANCErum for the November edition event in Aarhus, Denmark.
UNGENDERED BODY (2017)
A multimedia performance regarding social constructs of gender and an attempt to reverse the process of such constructs rendering the body into a state of ‘ungenderness’.